A blog dedicated to recent developments in psychophysiology and clinical applications of ERP in neuropsychiatry. Ghent University Institute for Systems learning and Applied Neurophysiology.
25 oktober 2007
Our amusing musical brain
Musicophilia:
Tales of Music and the Brain
by Oliver Sacks
Knopf/Picador: 2007. 400 pp. $26/£17.99
This is Your Brain on Music:
Understanding a Human Obsession
by Daniel Levitin
Atlantic: 2007. 320 pp. £17.99
Think of a favourite piece of music — a pop
song or classical piece that you’ve heard hundreds
of times. Think about how it starts.
When you can hear the tune in your head,
sing, hum or whistle it (unless you’re in a
library, in which case you might want to try
this later). According to experiments done by
Daniel Levitin and Perry Cook in the early
1990s, even if you have had no musical training,
your rendition of the tune will probably be
very close to the original in tempo, and — perhaps
more surprisingly — also quite accurate
in absolute pitch.
Why should our brains be able to perform
such a feat? Of what use are our musical powers
and passions? And what can they tell us about
how the brain works, or how — sometimes
spectacularly — it doesn’t?
Oliver Sacks, continuing in the
tradition of The Man Who Mistook
His Wife for a Hat and An
Anthropologist on Mars, addresses
these questions by offering a collection
of ‘tales’ in Musicophilia, illustrating yet
more ways in which our brains can take us by
surprise. In This is Your Brain on Music, Daniel
Levitin presents a more systematic account of
what cognitive neuroscience has to say about
how we process and respond to music. Both
authors make the case.....read on
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